Saturday, 20 December 2025

A Christmas Palimpsest

 I.

This memory is older than

The kitchen table just level with my forehead.

I can trace the pattern

on the plastic backs of the chairs:

Brown with drawn-on quilt patches.

This memory is bigger than 

The stage where I'd just seen Swan Lake performed:

Which led to me twirling about

on the kitchen floor, announcing: 

I'm going to be a ballerina.


This is before the grammar of ballet

entered my body.

There is no stage, it is our living room

With the lights off. 

Candles are lit.

A folk song plays on the turntable.

I hold hands with my parents, and my brothers

And we dance.

The song is lost

The language is lost

The steps are lost

(If I even learned any steps.)

What remains:

Candles, a circle of hands, bright music

And my wish:

Can we dance in the dark tonight?


II.

Santa Claus,

Round, red and animatronic,

Welcomes me to the grocery store.

Ho, ho, ho: Are YOU ready for Christmas?

He presides over stacks of packaged cookies

Pastries in clamshell packets

Mandarin oranges in bright boxes.

An inflatable sleigh

Flies over the processed meat counter.

Robot Santa calls it Christmas

But he is a bit of a relic

Mostly in the temples of commerce

We call it The Holidays (capitalized)

Of course many of us no longer attend.

Instead there are domestic discussions

Over Amazon purchases

Shiny coupons on our screens give silent joy.

Each offering is tabulated on a credit card balance.


Every now and then

In between Robot Santa's speeches, a choir

Is overhead singing about Christmas.

Maybe it is an artifact

Of a cult in another kingdom

Where they dance in circles by candlelight.

Wherever it is,

I don't know the way back anyway.


III.

In this memory

I have turned off the fluorescent lights

(Economical but ugly).

The path to adulthood

Is sometimes easier to walk with the lights dimmed.

This is not yet an adventure

Taken on an eastbound airplane or

A bus at midnight, or 

A sheep-framed road in the Hebrides.

This journey is between the most familiar of walls.

Paced out hour upon hour.

I am not wishing I was somewhere else.

I am somewhere else.

Not all distances are measured in miles.


IV.

A story from far away and long ago:

680 AD in Streoneshalh, or Whitby Abbey.

There was a man called Caedmon, 

"Well-established in worldly life"

And advanced in age.

But alas for Caedmon, he had never learned any songs.

When there was a gathering at the mead-hall

An occasion for joy, where men would take turns with a harp

He would run away.

One night he left the banquet hall

After the harp came toward him,

And went out to the animal stables

Where he was to care for the cattle that night.


V.

Inside me

There are two wolves.

They stop by the woods on a snowy evening

Looking for two diverging roads.

One wolf takes the road to the mead-hall.

This is where I bring my children

To celebrations they can name.

They dance in circles

To songs whose words they know

Holding hands with friends

Who make the circle ever bigger.

Feast, abundance, tradition:

This is the gift I wish to give.

The other wolf takes a road

Which leads to an empty place, a fog

In which I dimly perceive

The songs, the languages, the prayers

I might have learned in childhood.

Here is a mirror

Too broken to show me my reflection

It is held by the wraiths of my ancestors

Who chose the less traveled road

Abandoning much along the way.

I did not choose this loss

It was bequeathed to me. 

This road seems to lead nowhere, yet

I know I will take it again and again.

Every time the burden of compassion feels heavier.

One day, perhaps

I will have enough to present my old ghosts with gifts.


VI.

Caedmon went to sleep in the stable,

With the horses. 

Then in a dream, some man stood by him.

Caedmon! Sing a song to me.

"I cannot sing," he replied.

"That is the reason I left the meadhall!"

Hwæðre þu meaht singan.

Nevertheless, you shall sing me something.

"What shall I sing?"

Sing me frumsceaft

Sing to me of creation.

When Caedmon received this answer, 

He immediately began to sing

How God created the world, 

In verses and words that had never been heard before.


VII

It wasn't a man that came to me

Last night in a dream.

But hlǣfdīġe, a lady.

I saw you standing at the end of a hallway.

I could barely make out your face,

But somehow I was expecting you.

The distance was suddenly too much,

And we ran toward each other

Embracing without a word.

There were no arguments to win or lose

Nothing said of reproach or regret.

Nor were there any words of wisdom

Or songs to last a thousand years.

I suppose I shouldn't be surprised

For you are no angel and I am no saint.

In the dream,

We were silent.

It seemed like we could hear a distant choir.

Heaven, your roof

Middle-Earth, mankind's keeper

Praise forever

(c) December 2025 Síochána Arandomhan



Some sources, of information and inspiration to check out:

Bede's story of Caedmon from Heorot.dk for a transcription/translation (of course, this is one of many available online)

Two Pilgrim Tales  (I love this so much)

I first encountered the story of Caedmon and Hild as a child, in a storybook. After I rediscovered it in university, it has remained in the background of all my adult life.

I wrote about Caedmon and Hild many years ago here. More recently, I recalled encountering the story in university in my blog The Saints.

I will never exhaust Caedmon's story; this bit of writing is only my latest encounter!

Links:


Original Writing:






Writing about Poetry:

Poetry (outlining my motivations for revisiting the reading and writing of poetry)



Other things I have previously written connected to poetry:


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